A passionate photographer's archive laid flat on warm honey-toned wood: an assortment of vintage film cameras with interchangeable lenses, their black bodies and brass fittings catching amber and warm light, scattered amongst loose photographs, contact sheets, printed reference images, and vintage clock faces with ornate bezels. The composition feels archaeologically layered—each object overlapping the next—with deep shadows and honeyed highlights creating a nostalgic, analogue reverie. The colour palette is earthy: blacks, warm wood, pale cream paper, rust reds, and burnished metallics, shot in the style of a styled flat-lay that celebrates the tactile materiality of analogue photography.